{"id":2202,"date":"2023-09-11T15:41:24","date_gmt":"2023-09-11T15:41:24","guid":{"rendered":"https:\/\/constanzequartet.com\/home\/?p=2202"},"modified":"2023-09-11T15:43:21","modified_gmt":"2023-09-11T15:43:21","slug":"the-strad-magazine-review","status":"publish","type":"post","link":"https:\/\/constanzequartet.com\/home\/blog\/the-strad-magazine-review\/","title":{"rendered":"The strad magazine review"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.thestrad.com\/reviews\/constanze-quartet-mayer\/16788.article\">https:\/\/www.thestrad.com\/reviews\/constanze-quartet-mayer\/16788.article<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.thestrad.com\/reviews\">Reviews<\/a><\/p>\n\n\n\n<h1 class=\"wp-block-heading\">Constanze Quartet: Mayer<\/h1>\n\n\n\n<p>By&nbsp;<strong><em>Joanne Talbot<\/em><\/strong>5 SEPTEMBER 2023<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/dnan0fzjxntrj.cloudfront.net\/Pictures\/100x67\/9\/5\/3\/30953_meyerconstanzeqt_742538.jpg\" alt=\"Meyer Constanze Qt\"\/><\/figure>\n\n\n\n<p>A forgotten 19th-century female composer is rehabilitated<\/p>\n\n\n\n<p>As a female composer living in the 19th century, Emilie Mayer (1812\u201383) was regarded with suspicion, and this attitude dogged the reception of her work throughout her career. Not surprisingly, perhaps, she turned to writing quartets as a more practical way of disseminating her music. Indeed, she shows herself to be a remarkably able composer in terms of mastering chamber music textures.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.thestrad.com\/reviews\/constanze-quartet-mayer\/16788.article Reviews Constanze Quartet: Mayer By&nbsp;Joanne Talbot5 SEPTEMBER 2023 A forgotten 19th-century female composer is rehabilitated As a female composer living in the 19th century, Emilie Mayer (1812\u201383) was regarded with suspicion, and this attitude dogged the reception of her work throughout her career. Not surprisingly, perhaps, she turned to writing quartets as a more [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_eb_attr":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-2202","post","type-post","status-publish","format-standard","hentry","category-blog"],"acf":[],"_links":{"self":[{"href":"https:\/\/constanzequartet.com\/home\/wp-json\/wp\/v2\/posts\/2202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/constanzequartet.com\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/constanzequartet.com\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/constanzequartet.com\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/constanzequartet.com\/home\/wp-json\/wp\/v2\/comments?post=2202"}],"version-history":[{"count":1,"href":"https:\/\/constanzequartet.com\/home\/wp-json\/wp\/v2\/posts\/2202\/revisions"}],"predecessor-version":[{"id":2204,"href":"https:\/\/constanzequartet.com\/home\/wp-json\/wp\/v2\/posts\/2202\/revisions\/2204"}],"wp:attachment":[{"href":"https:\/\/constanzequartet.com\/home\/wp-json\/wp\/v2\/media?parent=2202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/constanzequartet.com\/home\/wp-json\/wp\/v2\/categories?post=2202"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/constanzequartet.com\/home\/wp-json\/wp\/v2\/tags?post=2202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}